Showing posts with label ENW332. Show all posts
Showing posts with label ENW332. Show all posts

Tuesday, February 4, 2014

Emphasis-Contrast-Organization-Alignment-Proximity

 

 
1.      My attention is automatically given to the notepad in the video. Although there are a significant amount of potential distractions in the video, the strategies that the author uses to emphasize the notepad are effective (i.e.: nothing else is moving but the pen, there is enough allotted time to read what each illustration is stating/ portraying, etc.).
2.      The moment when the woman disappears can be classified as emphasis because it stresses the idea that the “process” of the illustrations are over, and now the audience must read them to fully understand what is going on. The two different pages—“Digital Rights Management/ Digital Robbing Maniacs” and “Criminal”— are also the only images with writing, which is a mode of communication that needs to be read, so the stillness and the disappearance of the woman is an effective strategy
3.      The sound on the video goes well with the visuals because it has a mysterious/adventurous feel. For example, the music goes the best with the second illustration, which reads “Criminal”, as the music is something that would be expected to come out of an action film. By appealing to the senses, the composition and emotional emphasis are effective throughout the clip.

 
1.      The text and the background do contrast, as the text is easy to read (very dark background against complementing, light font). Although the man is walking in the background, the use of color saturation was good so that it was not a distraction.
a.       The big square shows the audience that attention should be only on what is in the square
b.      The moving letters force the audience to read the description, because if the audience does not, then they will miss the purpose— to give information and encourage undergraduate students to apply to "The Jump".
2.      Now that the solid background is back, it allows those that are interested in applying to “The Jump” to place all of their energy on the instructions. If the background motions were still included, there would be a greater chance that instructions would not be followed and/or appear confusing. By fully emphasizing the text, the filmmakers are trying to send out clear and direct instructions in a small amount of time.
3.      For a flyer, I would probably do something in the first 20-30 seconds: have a background with a type writer/ journal and maybe Dan. However, that would just be the background and there would be a solid block to contrast it and place all eyes on the block. Inside the block, there would be la description (as short of one as I can) about what the purpose is, instructions and who to speak in person with. if there are social media links, I would provide those as well.

 
 The following photographs have a story, can you tell what it is?
1. At a young age, if we are privileged enough to be part of the education system, we are taught to count, and the power in numbers. At first is just 1+1 = 2

2. As we grow older, we begin to read the meter, and time becomes a priority, we need to know how to count it, and use it well

3. When we enter the workforce, we are introduced to the idea of “modernity”, where we begin to use quantitative and qualitative modes of imperialism, globalization and industrialization

4. We can get so carried away that we ourselves are priced and become capitalist statistics

5. Is this the American way?

 
 
1.      The Alignment of the letters intrigues me to wonder what other scenes will be like in the sequence. Because the letters are dwindling down a dark page, the alignment has a mysterious appeal. In addition, because the words are timed, the reader is forced to read them fast.
2.      The "Earth" scene is consistent in aligning each word and placing them in the same spot. This is a good visual effect as it does not have the audience skim all over the page to see where the next word will be coming from. Some of the elements that I focus on the most are the letters that are in yellow, because I feel that it's odd and there's probably a deeper reason to why some letters are highlighted. The background noise helps pair up visuals with sounds to create a more holistic scene. The upside down mood and color scheme is elements that seem purposefully there. As a result, if those elements were changed, then the alignment of the words would not have the same effect.
3.      Since the lines in the poem are aligned to the left, they give the reader something to follow visually. The importance of this is that the scene opens up with the geese flying atop, but then the words dropping down take ownership of the piece to highlight the poet. Unfortunately, the system is not allowing me to hear the background noise in this scene, so I cannot answer the questions about the audio track.
4.      The curvature of the words make the tears literally drip out of the eye-- the words are the tears. Because the words are coming from the bags of the eyes, it creates a cool visual that also aligns to waves. Again, I cannot hear what the man in the audio track is saying, but the effect that the words make at the end when it turns into the moon make the entire visual. If the words did not fall into the moon, then the reader would question the creative design based on cohesion and logic of how things fit in together.
5.      Because the three scenes are not aligned, the text does not highlight one over the other, nor does it specify in what order to watch the scenes. This alignment puts the audience in power by giving them the option of what they wish to see and when. This may be more appealing because the audience is part of the visual and not just the observer.
 

 
 
 

For the book cover to the left, I decided to group like-minded elements typographically, by placing them close together. For example, the title, The Seagull, is in big letters at the top, followed by a subheading, explaining what the text will be about. Directly underneath, there is an actual photograph of a seagull, which just adds to aesthetics. Completely separate, the author’s name is displayed on the center bottom, which creates the distinction between elements. A potential limitation in this cover is the use of space, and the fact that everything is centered. I wonder if further experimentation, where the different corners are used, would create a more effective and pleasing cover.
 
 **all of the section headings were taken from Google Images
 


Sunday, January 26, 2014

College Websites: Oh boy!

I do not own the rights to this: found on google.com

So, when I go to look at my school's website, I have to navigate through multiple circles, speed bumps and that sudden "Stop" sign that's been covered by a tree branch. However, this is probably a typical view on university websites. When I was transferring from Lasell College, I was visiting websites in search of downloadable applications, since I prefer paper applications over generic on-line ones, and I found myself having to "Yield" and check the MPH I was skimming the websites. I would actually agree-- with figure 2.2 provided by Chapter 2: "Analyzing Multimodal Projects"-- that university websites are at times, weak at providing students and prospective students the direct services needed. For example, surfing through the Fairfield University website, I cannot easily access a list of majors and the classes needed for that academic concentration. Instead, I will find news about Fairfield successes, which are definitely relevant to me, as they give the institution rigor, but the reality is that I have a need as a student that's being hindered by the image that the web-host provider is "selling" to parents, sponsors, and the alumni that fund the institution. With this said, I believe that the university has tactfully designed their website for a specific audience, which happen to be the ones that can provide the financial stability to effectively run a private institution. This is not bad, it maintains the institution funded, and provides a place for students to express themselves, at the cost of a navigational "hide-and-seek" game. 

taken from http://www.berkeley.edu
What's the front page like? 

Screenshot from http://www.berkeley.edu
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According to figure 2.2, the University of California at Berkeley has: 
  • Full name of school
  • Alumni in the news
  • Promotion for campus events
  • Press releases (in the form of a blog) 
  • Statement of School Philosophy (on the right hand side photo and a deeper understanding on the tab to the left)
but it does not have: 
  • Campus photo slideshow
  • Letter from the president 
  • and a visual tour
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Although the UC Berkeley website does not include all the "generics" from figure 2.2, it does include these outstanding perks: 
  • One main image that does not constantly change 
  • A bold statement that exhibits a sense of rigor and academic pride
  • A diverse amount of information 
  • Tabs that are easy to navigate 
  • A direct link to the "directory" 
  • Strong use of color that will translate well to an iPad, cellphone, kindle, etc. 
  • and all these fabulous social media tools: 

             
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So what's the purpose?
The answer is simple, this website is a direct outlet for prospective students and the current students. It's so brief that one will not waste time looking around. The use of color, visuals, texts, links and tabs is user friendly, preventing a significant technological divide.